Brief
- Design and produce a zine using the photographs provided by Sam
- Work closely together come up with a concept for the zine that works alongside the point of the essay and which in turn helps to visually illustrate ideologies being put forward by Sam in the essay.
Background
I have been given a brief by photography student Sam Horton, he would like us together to produce a contemporary photographic publication/zine in response to his COP3. The zine should visually illustrate the theories and ideologies presented in the dissertation. Obtaining a detourment approach to the reappropriation of photographs through the composition.
The title of the dissertation ‘In a society of mediated imagery, how has photography become deceptive?’ refers to a quote by Guy Debord in ‘The Society of the Spectacle’ stating that “The photograph is perceived not individually but within a collective neighbourhood of spectacles' explains that the spectacle “is a social relation between people that is mediated by images” perpetuated to the point where empirical interpretations deceive the indexicality of the photograph enabling the viewer to assign faith mistakenly in the verisimilitude of the interpretation.
Considerations
- How the layout helps to create the tone of voice for the zine and how that link to the core points of the essay
- How working with Sam will work alongside WYS and how this zine will fit within WYS
Deliverables
- Zine
- Poster
Timescale - 10 days
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